HELLSING
(2001)
Format: 13 22-minute episodes on 4 DVDs
Rating: R (AL, AC, GV)
American Production: Pioneer
Japanese Production: Gonzo Studios
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Grading |
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Premise: |
B- |
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Story: |
B |
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Writing: |
B+ |
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Character Design: |
A |
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Animation: |
B |
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Artistic Merits: |
A- |
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English Dub: |
A |
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Musical Score: |
A- |
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Opener: |
A |
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Closer: |
A- |
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Humor Content: |
C |
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Action Content: |
A |
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Drama Content: |
B |
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DVD Presentation: |
A- |
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DVD Extras: |
C+ |
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OVERALL: |
A- |
Synopsis
British policewoman Seras
Victoria is mortally wounded when a villainous vampire unsuccessfully uses her
as a human shield against a “good guy” vampire. Faced with certain death, she
accepts the vampire Alucard’s offer to become an undead
and join him in the secretive Hellsing organization,
a generations-old group dedicated to protecting Queen and country against
vampires and their spawn. As the series progresses she attempts to resist the
urge to drink blood while helping her new associates investigate and deal with
a rash of false vampires created by a computer chip, ever under the watchful
eye of her new master. She also gets to tote around a really, really big gun!
Quotes
“In the name of God, impure souls of the living dead shall be banished into eternal damnation. Amen.” (standard Hellsing Organization blessing)
“Police girl. . . I’m going fire my gun now, and the bullet will rip through your lungs before it hits the maggot vampire’s heart. . . I know you don’t want to die tonight. Do you want to come with me?” (Alucard)
The Long View
One of the hottest releases of the latter half of 2002
in the American market, Hellsing
is nothing if not stylish. Its jazzy musical scoring, dark but vivid color
schemes, snappy dialogue, and emphasis on flashy weaponry just scream “cool,”
and the character design is among the best in the business. The artistic merits
of the earlier episodes are among the best of recent titles (though they
degrade somewhat towards the end), and the idea that vampires can be created
artificially by means of a computer chip gives the old
vampire-as-a-vampire-hunter concept an intriguing new twist. Gun lovers will go
nuts over this series, as the vampire hunters of Hellsing
take full advantage of modern weaponry. Alucard totes
around twin hand cannons that fire 13 mm silver-cased, blessed holy bullets,
while Seras Victoria eventually packs a 30 mm Halconnen cannon which fires depleted uranium or incendiary
explosive armor-piercing shells and another character favors mercury ignition
bullets - all quite effective at dusting vampires and their ghoul spawn. And there’s still the old classics, too, like the blessed blades
of Paladin Alexander or the razor wire of Walter. Also watch for neat artistic
touches, like the blood-red skies or the symbolic meaning of the flickering
candles in the church near the end of the first episode.
For all the great dialogue, weapons, and violent
action, though, it’s the dynamic characters that really sell Hellsing. Alucard (or Arucard in the original Japanese) is an “original” vampire,
a true Creature of the Night in every sense who regards the newer
artificially-created vampires as so much filth and trash. He is a cocky,
arrogant bastard with a perpetually amused expression who thirsts for a good
challenge more than he does for blood. When you have power like his, though,
you can afford to be cocky; his “full power release,” when he finally
institutes it midway through the series, is an awesome spectacle. For reasons
that are not fully explained he is a faithful servant of Sir Integra Wingate Hellsing, the stern, boyish woman shaped by the propriety
of British aristocracy. She is fiercely dedicated to upholding her family’s
proud legacy of secretly protecting Queen and country against the predations of
vampires. The third main character is Seras
A handful of other recurring characters also deserve
mention. Most prominent among the good guys are Walter, a former vampire hunter
once known as the “Angel of Death” who now serves as the chief retainer of the Hellsing family, and Ferguson, the proper senior commander
of Hellsing’s foot soldiers. Prominent among the bad
guys are the artificially-created Valentine Brothers and the true African
vampire who calls himself Incognito. There’s also the massive Paladin
Alexander, priest and manic star slayer for the Iscariot organization (the
Catholic counterpart to the Protestant Hellsing
organization), who shares a common purpose with Hellsing
but works at odds with them.
The vampire lore in Hellsing
is muddled. Supposedly vampires are vulnerable to sunlight and sleep during the
day, yet we regularly see Sera Victoria not only active during the day but
outside on more than one occasion when the sun doesn’t look like it’s set yet.
Neither getting the lore straight or delving into the history of vampires is a
significant matter in the series, however. Of greater interest is the way the
series works in religion, which is something that a lot of vampire-slayer
stories do not do even if their heroes do use holy implements. Prayers are
voiced, characters clearly have faiths, one of Alucard’s
guns is inscribed with “Jesus Christ in Heaven” along the barrel, and a
distinct Catholic-Protestant conflict rears its ugly head in a couple of
different episodes. Magic also works its way in, too, including a form of
so-called Christian magic involving streams of pages bearing biblical
scripture.
The biggest detracting factor to this
otherwise-excellent production is an ending that is much too abrupt and leaves
too many issues unresolved. It feels like the writers and animators had a good
story but then didn’t know how to wrap it up, so they forced the issue. (Gonzo
Studios, the creative force behind Hellsing,
is apparently notorious for doing this.) A wrap-up movie which resolves things
better would be a great idea, but I have heard nothing about any such thing
being forthcoming. On the plus side, the opener is a great number both
graphically and musically and the closer features the very appropriate song
“Shine” by the American ‘80s pop star Mr. Big. Another plus for the closer is listing
both the Japanese and English voice actor for a role together, rather than in
separate. This is a format that is only used occasionally in American releases
but I wish companies would make it the regular standard.
The graphic content rating is mostly for violence and disturbing imagery, although there is some swearing. Hellsing is not as extreme in its violence as comparable titles, however, and the wonderful artistic styling should be enough to compensate for those who are normally averse to graphic violence in their entertainment.
Finally, special comment is deserved about the English
dub. This is one case where I am going to insist that purists actually give the
English dub a chance. The voice work is great, and the overall quality is
superior to the original Japanese track if for no other reason than the British
characters actually have proper British accents and speech patterns in the
English version. This is a story set in
DVD Extras
All DVDs have Previews and Concept Art. 2-3 additional extras per DVD which vary from volume to volume, including advertisements for Hellsing figurines.
Principle English Voice Actors
|
Role |
Voice Actor |
|
Alucard |
Crispin
Freeman |
|
Seras |
K.T.
Gray |
|
Sir
Integra Wingate Hellsing |
Victoria
Harwood |
|
Walter |
Ralph
Lister |
|
Fargason |
Bill
Morgan |
|
Paladin
Alexander |
Steven
Brand |
|
Luke
Valentine |
Patrick
Seitz |
|
Yan Valentine |
Josh
Philips |
|
Incognito |
Robb
Manning |
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