GRAVE
OF THE FIREFLIES (1988)
Format: 88-minute feature
Rating: PG (V)
American
Production:
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Grading |
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Premise: |
A |
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Story: |
A- |
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Writing: |
A |
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Character Design: |
A- |
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Animation: |
B+ |
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Artistic Merits: |
A- |
|
English Dub: |
A- |
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Musical Score: |
B+ |
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|
|
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Humor Content: |
n/a |
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Action Content: |
n/a |
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Drama Content: |
A |
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|
|
|
DVD Presentation: |
A- |
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DVD Extras: |
A |
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|
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OVERALL: |
A- |
Synopsis
In
The Long View
Based on a semiautobiographical novel, Grave of the Fireflies takes a very
personal look at the terrible side effects of modern warfare on civilians. The
result is a story of great tragic power that can, at times, be very difficult
to watch. That it is animated buffers the viewers somewhat against the grim
reality of what we are actually watching here: two children that are gradually
starving to death. It is a subject that occasionally comes up peripherally in
war pictures, but never have I seen it dealt with in such a straightforward
manner.
Grave
is a movie loaded both with simple scenes – such as Seito using fruit candies
to create a fruit drink for his sister – and powerful imagery, such as the
opening scene revealing Seito’s ultimate fate, or the pictures of the
firebombed city aflame, or the street-eye-view of descending bombs, or the
shots of their bandaged and horribly burned mother. Touching are Seito’s
efforts to protect his sister from the harshness of what has happened, but one
gets the sense that he does it as much for his own sense of denial. And when
Setsuko finally succumbs to the ailments brought on by malnutrition, one gets
the sense that Seito loses his last reason for living. In death the two are
reunited as spirits, which brings the end of the story back around to the
beginning. (I strongly urge viewers to immediately flip back and rewatch the first few minutes after you’ve seen the end;
the poignancy of the early scenes have much greater
impact once you see the ending.)
The name for Grave comes from a scene a bit more than halfway through the movie,
where Setsuko buries some dead fireflies that she and her brother had collected
the night before. The sequence is loaded with powerful meaning that must be
experienced, so I will not describe it further. Also noteworthy here is that
the movie is not in any way accusatory; although Americans are clearly
responsible for the devastation wrought in the movie, not a single word is spoken
about them or against them. They are merely an enemy to be avoided, nothing
more. Grave also does not take any
stand on the issue of the rightness or wrongness of the attitudes of the
Japanese leadership that got them into the war. It seems deliberately intended
to be as apolitical as possible.
The technical merits to Grave, while good, are not at the top of
the heap. Like many anime, the artistry is heavily influenced by watercolor
paintings, which the digital remastering done for this DVD release brings out
beautifully. The English dub and musical score are both excellent and will not
disappoint. It is worth noting that a good chunk of the early part of the movie
passes without any soundtrack, which I actually think helps lend emphasis to
those early scenes. This is material that does not need soundtrack enhancement
to achieve its dramatic potential. Also deserving of special recognition are
the sound effects, particularly the unsettling sound of the dropping firebombs.
Although I have given it a PG rating, younger children may be disturbed or
frightened by some scenes. It should only be shown to young children with adult
supervision.
Grave
is considered an anime classic, with good reason. Some American critics have
even gone as far as to label it one of the best war movies ever made. It is not
a movie that everyone is going to like, but it is a movie that everyone should
see.
DVD Extras
Main Disk:
· Company Previews
· Storyboard viewing option:
while the film is playing, the “angle” option can be used to flip back and
forth between the animation and the storyboard for the scene. This is a unique
set-up as far as I’m aware. Note that when this option is used at the beginning
of the closing credits, stats concerning the film and a list of the awards it
has received are displayed before the credits roll.
Bonus Disk (included in the Collector’s Series release):
· Interview with film critic
Roger Ebert (2002) about Grave of the
Fireflies
· Interview with director
· Historical Perspective
featurette
· Author and Director bios
· DVNR featurette (concerns
the process used to transfer the movie to DVD from film and digitally remaster
it in the process; very interesting)
· Bonus storyboards of various
scenes that were not included in the film
· Art Gallery (mostly still
shots with some production sheets mixed in; accessible via DVD-ROM)
· Locations, Then and Now
(compares sites depicted in the film to their current-day appearance; very interesting)
· Japanese and American
trailers
· Japanese release promo
· Company Trailers (some a
duplicate of those on the main disk, some new ones)
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